This week I've been screenprinting some samples of a motif for a table mat, and testing to see if it looks better with some simple machine embroidery on top of the printing.

One of the advantages of doing the course part time is that, in theory, there's a lot more time to get the work done. One of the disadvantages of being a mature student is that there's a lot of other things in life that get in the way and eat into your time. With the end of the course in sight, it's easy to let the pressure mount. But one of the things that I've found very helpful is a daily meditation. I've been doing it through Headspace 

which makes it very simple and straightforward, and is a supportive way to start the day, giving me a bit of space from all the busy thoughts about my project. By happy coincidence I've just reached the Creativity series in the programme. Highly recommended!

                                                                                                                                    www.getsomeheadspace.com

I've been at my sewing machine this week, making up my apron, tablecloth etc and a small sample curtain - a nice way to spend a few days, with the radio on and looking out over the garden between stitches, looking forward to spring. 

I found these printed fabric labels at www.cottontrends.co.uk and had some made up to give a professional look to the finished items. 

My first batch of fabric came off the digital printer last week - very exciting to see larger pieces of fabric in my own designs. My next job will be to start sewing them up into a tablecloth, napkin, apron etc. 
I've also done some sampling of simple machine embroidery on a runner.

Over the last few weeks I've been busy doing design development, and have made my first foray into digital print. Starting with some test samples I've been pleased with how it can translate most of the textural detail from my monoprints onto the fabric.

I went to see Angie Lewin's exhibition, A Natural Line, at the Yorkshire Sculpture Park over the weekend. A beautiful collection of her delicate drawings and striking woodblock prints. I particularly liked the small pieces with details painted onto pieces of driftwood.

I've been experimenting with monoprinting as a way of creating a base for designs. By its very nature it can be a bit hit and miss with some unexpected results but it's a good way of creating layers and motifs. Sometimes the image left on the plate looks good in its own right. When I was researching some background for this I came across Linda Germain's tips and the use of gel plates. This is something I want to try more of. I also love Andy Skinner's sophisticated use of the technique to make fine art prints.